Counting to a Billion is a device created to fulfill the desire to count. The electronics consists of a microcontroller, a speech module, and a speaker powered by a rechargeable battery. There is no/off switch. The voice will keep counting when the device is unplugged and if the battery is drained, the count will pick up where it left off when the battery recharges. The voice begins counting at one, two, three and continues counting up until it reaches one billion at which point in time it will stop.

If it took a second to utter each string of numbers, it would take 1 billion seconds or 31.7 years for the device to reach its end. But since it takes more than a second to vocalize many of the numbers in the sequence, it may take upwards of 60 years to complete.

The unit is housed in a solid block of aluminum, cnc milled into a vessel that was designed to withstand substantial abuse over many years.

Counting to a Billion is for sale as an edition of 5.

Materials: Aluminum, custom electronics
Dimensions: 4” (10cm) diameter, 6” (15cm) height, freestanding

Counting to a Billion from che-wei wang on Vimeo.

A 60 rpm (revolutions per minute) motor drives the entire mechanism. It rotates once every second. The following pulley rotates once every 5 seconds (1:5 ratio). The next rotates once every 60 seconds or 1 minute. Then 5 minutes, 1 hour, 1 day, 1 month, 1 year, and 1 decade. The decade wheel carries the load of the large arc. The large arc rotates once every century. The final ratio between the 60 rpm motor and the large arc is approximately 1:31.6 billion.

Each wheel is marked with a black nut to highlight a position that could be tracked over time. Along the arc, 100 lines mark the divisions of each passing year. When the clock finally reaches the end of a 100 year cycle, the arc falls off its track onto the floor.

3.16 Billion Cycles is for sale as an edition of 5.

Materials:Aluminum, AC sync motor, rubber belts.
Dimensions: 46” diameter (107cm), 6” (15cm) deep, wall mouted

3.16 Billion Cycles from che-wei wang on Vimeo.

Special thanks to Julian LaVerdiere, Jessica Banks, Andrew Laska, Dustyn Roberts, Kevin Slavin, Al Zuger, and Milgo Bufkin for all their help.

Drum space is a percussion instrument that transforms environments into drums. Participants are immersed within the space of drums as beats are created from the surrounding surfaces. The audio experience of the space is negotiated by each participant as they add and remove beats from sequences previously constructed by other participants. Will the space be raging noise or subtle clicks?

The core of the project is an electronically activated mechanism which swings various drum mallets. This module acts as an extension of a drummer’s hand and is mounted on various surfaces in the space. The walls, ceilings, floors, doors, and windows are all great candidates for drum surfaces. The mallet modules each hold different types of percussion mallets to create a range of sounds. At the center of the space is the control sequencer which connects to all the modules. The sequencer records and plays back beat sequences so additional effects can be explored through trimming and layering of beats. Each participant has the power to eliminate and add beats to previously constructed sequences enabling a collaborative participation. The web interface replicates the physical sequencer and streams live video of the space allowing participants to manipulate the drum sequences and participate in the exhibition.

Constellation is a wireframe chair for two (a permanent installation at the Pratt Sculpture Park).